somewhere between sound and perception
Belgian pianist Babette Craens is known for her poetic playing, refined touch and sensitivity to colour and nuance.
A laureate of several national competitions, she was awarded Second Prize at the Steinway Competition and made her orchestral debut at the age of seventeen with Beethoven’s First Piano Concerto.
Her interest in sound, colour and imagination leads her to regularly collaborate with living composers and explore lesser-known works. She has a particular affinity for French and Belgian music of the 20th century, and is drawn to the different possibilities of both modern and historical pianos.
Her concert programs often bring familiar repertoire into dialogue with rediscovered works and new music, creating connections across periods and styles.
“A poetic nature with a fine-tuned sensibility for nuance”
“An incredible mastery of jeu perlé!”
“Babette stands out not only for her solid and precise technique, but also for her colorful piano playing.
In addition, she possesses the unique ability to deeply understand any musical style and convey it to her listeners in a compelling way. She has a wonderful way of inspiring both her colleagues and the audience, making her performances a delight for both the ears and the eyes.”
Current programs
LE FAUX MIROIR
Le Faux Miroir — a 60-minute solo piano program
exploring perception and illusion through Debussy, Ravel, Durlet and contemporary music.
Femmes de légende
Femmes de Légende — an artistic research project exploring the remarkable role of female concertpianists in the French and Belgian musical landscape at the turn of the twentieth century.
Recent higlights
Le Faux Miroir was met with standing ovations for the Emmanuel Durlet Fonds and Love2Arts Gallery (May & June 2026)
Lacunes was featured three times as Klara’s Choice on Klara Radio
Museum Vleeshuis recording project featuring piano works by Belgian composer Paul Gilson
Art-platform ArtnD published a full in-depth interview about Babette’s artistic views and practice, which you can read here